THE BRITISH MUSIC EXPERIENCE
The BME has a mission to advance the education and appreciation of the art, history, and science of music. The museum holds a collection of artefacts brought to life through audio-visual technology against a backdrop of Britain's social and political landscape. The British Music Experience fulfils its charitable objectives by operating a Museum housed in the Cunard Building, Liverpool.
Objects
'3.1 THE PURPOSES OF THE CHARITY (THE OBJECTS) ARE TO ADVANCE THE EDUCATION OF THEPUBLIC IN THE HISTORY, SCIENCE AND CULTURE OF BRITISH POPULAR MUSIC FROM ITSORIGINS TO THE PRESENT DAY BY THE:3.1.1 PRESENTATION OF INTERACTIVE LEARNING DISPLAYS AND EXHIBITIONS, PUBLICEVENTS AND CONCERTS;3.1.2 ACQUISITION (WHETHER ON LOAN, OR LEASE, OR BY WAY OF GIFT OR PURCHASE ORRECOVERY OR OTHERWISE), PRESERVATION, MAINTENANCE AND EXHIBITION OFANY ARTISTIC WORKS, INSTRUMENTS, PAPERS, INTERVIEWS OR ARTEFACTS; AND3.1.3 PROVISION OF RESEARCH, SOUND RECORDING, PERFORMANCE AND ARCHIVINGFACILITIES.3.2 SUCH OTHER CHARITABLE PURPOSES UNDER THE LAW OF ENGLAND AND WALES AS THEDIRECTORS SHALL DECIDE FROM TIME TO TIME.
Financial health, per its FY2025 accounts
The accounts state that the charity generated a net income of £70,930 for the year ended 30 April 2025, with unrestricted reserves increasing to £403,851. The trustees confirm that the charity can meet its commitments for at least 12 months, adopting a going concern basis. No formal reserves policy is currently in place, though reserves are earmarked to underpin operations and cash flow.
What the accounts disclose
“One trustee, E Koravos, received remuneration including pension contributions of £38,381 (2024: £36,135) for their role as Chief Executive” — page 14
Policies the charity declares
- Bullying and harassment policy and procedures
- Complaints handling
- Complaints policy and procedures
- Conflicting interests
- Internal charity financial controls policy and procedures
- Internal risk management policy and procedures
- Investment
- Paying staff
- Risk management
- Safeguarding policy and procedures
- Serious incident reporting policy and procedures
- Social media policy and procedures
- Trustee conflicts of interest policy and procedures
- Trustee expenses policy and procedures
From the charity’s annual return (Part A, self-declared)
Self-declared on the annual return for the financial year ending 30/04/2025
- Volunteers: 6
- Trustee benefits, answered Yes to: any trustee benefit
Self-declared on the annual return for the financial year ending 30/04/2024
- Volunteers: 2
- Trustee benefits, answered Yes to: any trustee benefit; payments to trustees for acting as trustee
Self-declared on the annual return for the financial year ending 30/04/2023
- Volunteers: 8
- Trustee benefits, answered Yes to: any trustee benefit
Structured financials (annual return, FY ending 30/04/2025)
Trustees
- HARVEY GOLDSMITH CBEchair
- Jonathan Collins
- Kevin McManus
- SIMON PATRICK WEIL
- SIR MARK PHILIP FEATHERSTONE-WITTY OBE
- Stuart Galbraith
Income and spending
| Financial year end | Income | Spending |
|---|---|---|
| 30/04/2025 | £958k | £887k |
| 30/04/2024 | £984k | £963k |
| 30/04/2023 | £775k | £865k |
| 30/04/2022 | £723k | £689k |
| 30/04/2021 | £484k | £545k |
Common questions
Is THE BRITISH MUSIC EXPERIENCE financially healthy?
Per its FY2025 accounts: The accounts state that the charity generated a net income of £70,930 for the year ended 30 April 2025, with unrestricted reserves increasing to £403,851. The trustees confirm that the charity can meet its commitments for at least 12 months, adopting a going concern basis. No formal reserves policy is currently in place, though reserves are earmarked to underpin operations and cash flow. Its FY2025 accounts were independently examined.
Funders of similar charities
| Funder | Similar charities funded | Amount to them |
|---|---|---|
| THE SAINTBURY TRUST | 2 | £80k |
| WILLIAM ADLINGTON CADBURY CHARITABLE TRUST | 2 | £35k |
| THE NOEL COWARD FOUNDATION | 2 | £7k |
| JOHN ELLERMAN FOUNDATION | 1 | £90k |
| THE ASSOCIATED BOARD OF THE ROYAL SCHOOLS OF MUSIC | 1 | £51k |
| THE ANDREW LLOYD WEBBER FOUNDATION | 1 | £50k |
| THE HELEN ROLL CHARITY | 1 | £47k |
| THE KATHLEEN HANNAY MEMORIAL CHARITY | 1 | £45k |
Charities like this
- BIRMINGHAM CONTEMPORARY MUSIC GROUP
- THE UK ASSOCIATION FOR MUSIC EDUCATION - MUSIC MARK
- B:MUSIC LTD
- BRITISH MUSIC HALL SOCIETY
- THE MUSEUM OF MUSIC HISTORY
- THE LONDON MUSICAL THEATRE ORCHESTRA
Side by side with its peers
| Charity | Income | Top pay band | Staff >£60k | Reserves vs policy | Fundraising cost | Going concern |
|---|---|---|---|---|---|---|
| THE BRITISH MUSIC EXPERIENCE | £958k | — | 0 | unclear | — | no doubt |
| BIRMINGHAM CONTEMPORARY MUSIC GROUP | £630k | — | 0 | above | — | no doubt |
| THE UK ASSOCIATION FOR MUSIC EDUCATION - MUSIC MARK | £816k | £80,000 to £89,999 | — | unclear | — | no doubt |
| B:MUSIC LTD | £13.6m | — | — | unclear | — | no doubt |
| BRITISH MUSIC HALL SOCIETY | £63k | — | 0 | unclear | — | no doubt |
| THE MUSEUM OF MUSIC HISTORY | £372k | — | — | unclear | — | no doubt |