ARTS AND HOMELESSNESS INTERNATIONAL

Registered charity 1183955 · accounts filings on the Charity Commission register · also known as WITH ONE VOICE, WITH ONE VOICE - INTERNATIONAL ARTS AND HOMELESSNESS MOVEMENT

We organise annual exchanges and events with the arts and homelessness community globallyWe run an ART (Advocacy, Research and Training) Laboratory which is a place to help the sector make the case for its work, produce research, resources, explore new models and ways of working and capacity building for projects and people working in this field.

Objects

1. THE ADVANCEMENT OF THE ARTS, IN PARTICULAR AMONGST THOSE WHO ARE HOMELESS OR HAVE BEEN HOMELESS, THROUGH RESEARCH, TRAINING, ADVOCACY, EXCHANGES, CONFERENCES, ARTISTIC PROJECTS AND EVENTS AND IN OTHER SUCH WAYS THE TRUSTEES MAY FROM TIME TO TIME DETERMINE.2. TO PROMOTE SOCIAL INCLUSION FOR THE PUBLIC BENEFIT BY PREVENTING PEOPLE FROM BECOMING SOCIALLY EXCLUDED, RELIEVING THE NEEDS OF THOSE PEOPLE WHO ARE SOCIALLY EXCLUDED AND ASSISTING THEM TO INTEGRATE INTO SOCIETY THROUGH INCREASING ACCESS TO THE ARTS.FOR THE PURPOSE OF THIS CLAUSE ‘SOCIALLY EXCLUDED’ MEANS BEING EXCLUDED FROM SOCIETY, OR PART OF SOCIETY, AS A RESULT OF BEING HOMELESS OR HAVING BEEN HOMELESS

The charity’s charitable objects and area of benefit, quoted from its governing document as held on the Charity Commission register.

Causes: Disability · website · Get email alerts

Financial health, per its FY2025 accounts

The accounts state that the charity achieved a net surplus of £49,607 for the year ended 31 March 2025, reversing a prior year deficit. Per the trustees' report, the charity has met its reserves policy target of £40,000, holding unrestricted reserves of £42,482.

Automated summary of the FY2025 accounts; the evidenced findings below carry the verbatim passages.

What the accounts disclose

Accounts independently examined (not a full audit). Discloses 5 of 6 completeness components.

Policies the charity declares

In its annual return the charity told the Commission that it has the policies listed below. This is self-declared: it is not verified by the Commission or by this site, and it is not evidence of how a policy works in practice.

• Bullying and harassment policy and procedures
• Complaints handling
• Complaints policy and procedures
• Conflicting interests
• Financial reserves policy and procedures
• Internal charity financial controls policy and procedures
• Internal risk management policy and procedures
• Investing charity funds policy and procedures
• Paying staff
• Risk management
• Safeguarding policy and procedures
• Safeguarding vulnerable beneficiaries
• Serious incident reporting policy and procedures
• Social media policy and procedures
• Trustee conflicts of interest policy and procedures
• Trustee expenses policy and procedures

Public profiles (found on the charity’s own website): facebook · instagram

Trustees · trustee networks

• Beth Knowleschair
• Holly Jacobson
• Lucinda Meredith
• Rachel Hadley
• Rebecca Schutt
• Tom Henderson

Trustee list from the Charity Commission register (current, not historical).

Operates in: Australia · Brazil · Canada · Colombia · France · Greece · India · Japan · Portugal · Scotland · Sierra Leone · Spain

Income and spending

Common questions

Government & lottery funding

Grants to this charity published as open data by government and lottery funders (360Giving).

Funders of similar charities

Funders whose accounts show grants to charities similar to this one (and no recorded grant to this charity) — a starting list for fundraisers.

Charities like this

Semantically similar by activities and financial character, from our analysed corpus. Compare with ALL ARTS & MEDIA LTD.

• ALL ARTS & MEDIA LTD income £99k
• ARTCORE INTERNATIONAL income £238k
• ART GENE LIMITED income £404k
• PETHERTON ARTS TRUST LIMITED income £153k
• CONTAINS ART CIO income £330k
• PEOPLE'S THEATRE ARTS GROUP LIMITED income £345k

Side by side with its peers

Each row is that charity’s latest analysed filing; every value is quote-backed on its own page.