THE OPERA AWARDS FOUNDATION
The Opera Awards Foundation will advance the education of the public in the art of opera in particular by the provision of bursaries or grants to individuals, groups of individuals or other charitable organisations.
Objects
THE CHARITY'S OBJECTS ARE SPECIFICALLY RESTRICTED TO THE FOLLOWINGTO ADVANCE THE EDUCATION OF THE PUBLIC IN THE ART OF OPERA IN PARTICULAR BY THE PROVISION OF GRANTS OR BURSARIES TO SUCH INDIVIDUALS, GROUPS OF INDIVIDUALS OR OTHER CHARITABLE ORGANISATIONS AS THE DIRECTORS SHALL FROM TIME TO TIME ELECT, ANDSUCH OTHER CHARITABLE OBJECTS FOR THE BENEFIT OF THE PUBLIC CONNECTED WITH THE ART OF THE OPERA AS THE DIRECTORS SHALL FROM TIME TO TIME ELECT.
Financial health, per its FY2025 accounts
The accounts state that the charity underwent an independent examination rather than a full audit, with the examiner confirming that no matters caused concern regarding the preparation of the accounts. However, the examiner highlighted a governance failure where the charity failed to hold required formal board meetings for most of the year, relying instead on email communications. Additionally, the accounts disclose that the charity's trading subsidiary, Opera Awards 2022 Limited, reported a loss for the year and had negative capital and reserves.
What the accounts disclose
“The charity's governing document requires four board meetings per year with formal minutes to be kept. Prior to December 2025, no formal board meetings were held. Instead, governance was conducted through email communications, primarily from the chairperson to trustees. While evidence of decision-making has been provided, this does not comply with the charity's constitutional requirements or the Charity Commission's guidance on trustee meetings and record-keeping.” — page 9
Policies the charity declares
- Bullying and harassment policy and procedures
- Campaigns and political activity policy and procedures
- Complaints handling
- Complaints policy and procedures
- Conflicting interests
- Engaging external speakers at charity events policy and procedures
- Financial reserves policy and procedures
- Internal charity financial controls policy and procedures
- Internal risk management policy and procedures
- Investing charity funds policy and procedures
- Investment
- Risk management
- Serious incident reporting policy and procedures
- Social media policy and procedures
- Trustee conflicts of interest policy and procedures
- Trustee expenses policy and procedures
From the charity’s annual return (Part A, self-declared)
Self-declared on the annual return for the financial year ending 31/12/2025
- Has a trading subsidiary
- Grant-making is its main activity
Self-declared on the annual return for the financial year ending 31/12/2024
- Has a trading subsidiary
- Grant-making is its main activity
Self-declared on the annual return for the financial year ending 31/12/2023
- Has a trading subsidiary
- Grant-making is its main activity
Trustees
- HARRY ABRAHAM HYMANchair
- Anthony Peter Freud
- Christina Claudia Bettina Scheppelmann
- Deborah Helen Roslund
- Dr JOHN ALLISON
- Karen Stone
- Leslie Macleod-Miller
- Prof Andrew Charles Robert Jean-Baptiste Corbett-Nolan
- Sara Naudi
- WILLIAM SAUNDERS
Income and spending
| Financial year end | Income | Spending |
|---|---|---|
| 31/12/2025 | £85k | £55k |
| 31/12/2024 | £80k | £80k |
| 31/12/2023 | £95k | £117k |
| 31/12/2022 | £123k | £68k |
| 31/12/2021 | £25k | £20k |
Common questions
Is THE OPERA AWARDS FOUNDATION financially healthy?
Per its FY2025 accounts: The accounts state that the charity underwent an independent examination rather than a full audit, with the examiner confirming that no matters caused concern regarding the preparation of the accounts. However, the examiner highlighted a governance failure where the charity failed to hold required formal board meetings for most of the year, relying instead on email communications. Additionally, the accounts disclose that the charity's trading subsidiary, Opera Awards 2022 Limited, reported a loss for the year and had negative capital and reserves. Its FY2025 accounts were independently examined.
Who funds THE OPERA AWARDS FOUNDATION?
Funders whose own accounts filings name THE OPERA AWARDS FOUNDATION as a grant recipient include THE PETERS FAMILY FOUNDATION CIO.
Known funders
| Funder | Year | Amount | Purpose (as stated by the funder) |
|---|---|---|---|
| THE PETERS FAMILY FOUNDATION CIO | FY2024 | £25k | To support five aspiring young opera singers with bursaries, facilitating their promising opera career journeys. |
| THE PETERS FAMILY FOUNDATION CIO | FY2025 | amount not stated |
Funders of similar charities
| Funder | Similar charities funded | Amount to them |
|---|---|---|
| THE THOMPSON FAMILY CHARITABLE TRUST | 1 | £850k |
| COLWINSTON CHARITABLE TRUST | 1 | £80k |
| CHK Foundation | 1 | £70k |
| ANGUISH'S EDUCATIONAL FOUNDATION | 1 | £40k |
| THE ELMLEY FOUNDATION | 1 | £31k |
| PETER STORMONTH DARLING CHARITABLE TRUST | 1 | £30k |
| THE FIDELITY UK FOUNDATION | 1 | £30k |
| THE OFENHEIM CHARITABLE TRUST | 1 | £26k |
Charities like this
- OXFORD OPERA TRUST CIO
- THE ROYAL OPERA HOUSE ENDOWMENT FUND 2000
- WEXFORD FESTIVAL OPERA UK FOUNDATION
- CHELSEA OPERA GROUP TRUST
- FRIENDS OF DIVA OPERA LIMITED
- LONGBOROUGH FESTIVAL OPERA
Side by side with its peers
| Charity | Income | Top pay band | Staff >£60k | Reserves vs policy | Fundraising cost | Going concern |
|---|---|---|---|---|---|---|
| THE OPERA AWARDS FOUNDATION | £85k | — | — | unclear | — | no doubt |
| OXFORD OPERA TRUST CIO | £104k | — | 0 | unclear | — | no doubt |
| THE ROYAL OPERA HOUSE ENDOWMENT FUND 2000 | £4.1m | — | 0 | unclear | — | no doubt |
| WEXFORD FESTIVAL OPERA UK FOUNDATION | £37k | — | 0 | unclear | — | no doubt |
| CHELSEA OPERA GROUP TRUST | £28k | — | 0 | unclear | — | no doubt |
| FRIENDS OF DIVA OPERA LIMITED | £255k | — | 0 | unclear | — | no doubt |