ARCANGELO

Registered charity 1139783 · accounts filings on the Charity Commission register

Presentation of public concerts and recitals in the UK and abroad in which historical performance practice is applied using instruments of the period.

Objects

(1) TO ADVANCE, IMPROVE, DEVELOP AND MAINTAIN PUBLIC EDUCATION IN, AND APPRECIATION OF, THE ART AND SCIENCE OF MUSIC IN ALL ITS ASPECTS BY ANY MEANS THE TRUSTEES SEE FIT, INCLUDING THROUGH THE PRESENTATION OF PUBLIC CONCERTS AND RECITALS IN THE UK AND ABROAD IN WHICH HISTORICAL PERFORMANCE PRACTICE IS APPLIED USING INSTRUMENTS OF THE PERIOD; AND (2) TO FURTHER SUCH CHARITABLE PURPOSE OR PURPOSES AS THE TRUSTEES IN THEIR ABSOLUTE DISCRETION SHALL THINK FIT BUT IN PARTICULAR THROUGH THE MAKING OF GRANTS AND DONATIONS.

Area of benefit: UNDEFINED. IN PRACTICE, NATIONAL

The charity’s charitable objects and area of benefit, quoted from its governing document as held on the Charity Commission register.

Causes: Arts/culture/heritage/science · website · Get email alerts

Registered contact address: Ashford, South East, England (from the postcode on the register)

Financial health, per its FY2025 accounts

The accounts state that the charity ended the year with a strong surplus and unrestricted reserves of £228,282, which are above the stated policy target of £50,000. The trustees report adequate resources for the foreseeable future, although they identify a specific cashflow pressure point in March-April 2026 that they are working to mitigate.

Automated summary of the FY2025 accounts; the evidenced findings below carry the verbatim passages.

What the accounts disclose

Accounts independently examined (not a full audit). Discloses 4 of 6 completeness components.

Policies the charity declares

In its annual return the charity told the Commission that it has the policies listed below. This is self-declared: it is not verified by the Commission or by this site, and it is not evidence of how a policy works in practice.

• Bullying and harassment policy and procedures
• Complaints policy and procedures
• Financial reserves policy and procedures
• Internal charity financial controls policy and procedures
• Safeguarding policy and procedures
• Trustee conflicts of interest policy and procedures
• Trustee expenses policy and procedures

From the charity’s annual return (Part A, self-declared)

Answers and figures the charity gave in Part A of its annual return to the Charity Commission. They are self-declared: not verified by the Commission or by this site. Only positive answers and figures are listed; items not listed are simply not shown.

Source: this charity’s annual returns on the Charity Commission register.

Structured financials (annual return, FY ending 30/06/2025)

Reported reserves equal ~6.4 months of spending — above the median for charities its size (median 5.2 months; benchmarks).

Per its annual return, cost of raising funds: 1.8% of total income — below the median for charities its size (4.9%) (benchmarks).

Trustees · trustee networks

• Sir Nicholas Roger Kenyonchair
• Carolyn Lucy Maddox
• JONATHAN COHEN
• Jeremy Honeth
• Jesus Rio Cortes
• Maren Brandes
• Professor Clive Anthony Potter
• Simon Edward Gordon Maynard

Trustee list from the Charity Commission register (current, not historical).

Operates in: Throughout London

Income and spending

Common questions

Known funders

Grants to this charity found in funders’ own accounts filings.

Funders of similar charities

Funders whose accounts show grants to charities similar to this one (and no recorded grant to this charity) — a starting list for fundraisers.

Charities like this

Semantically similar by activities and financial character, from our analysed corpus. Compare with GABRIELI.

• GABRIELI income £994k
• THE ANGLO-ARGENTINE SOCIETY income £38k
• THE ARTANGEL TRUST income £1.4m
• CHILDREN'S CONCERTS income £141k
• MANCHESTER COLLECTIVE income £714k
• THE ENGLISH CONCERT income £1.4m

Side by side with its peers

Each row is that charity’s latest analysed filing; every value is quote-backed on its own page.