THE ROYAL OPERA HOUSE BENEVOLENT FUND
We assist past or present employees of the Royal Opera House, Birmingham Royal Ballet or their dependents who are in financial or other need. We can also provide support to other individuals employed by a company that gives performances of opera, ballet or music or any similar organisation to help relieve poverty or advance the education or health of people employed in the production of the above.
Objects
FOR THE PUBLIC BENEFIT, THE PREVENTION OR RELIEF OF POVERTY, THE ADVANCEMENT OF EDUCATION AND THE ADVANCEMENT OF HEALTH BY:(I)PROVIDING FINANCIAL OR OTHER ASSISTANCE (INCLUDING HELP WITH RE-TRAINING) TO ANY INDIVIDUAL IN NECESSITOUS CIRCUMSTANCES WHO IS OR HAS BEEN AN EMPLOYEE OF ANY OF THE ROYAL OPERA HOUSE COMPANIES OR OF ANY OTHER CHARITY OR ORGANISATION WHICH GIVES PUBLIC PERFORMANCES OF OPERA, BALLET OR MUSIC OR WHO IS THE SPOUSE,WIDOW, WIDOWER,PARTNER, CHILD, PARENT OR DEPENDANT OF ANY SUCH INDIVIDUAL;(II)MAKING GRANTS TO ANY CHARITY OR ORGANISATION IF, IN THE OPINION OF THE TRUSTEES, SUCH GRANT WOULD PROMOTE THE PREVENTION OR RELIEF OF POVERTY OR ADVANCE THE EDUCATION OR HEALTH OF ARTISTSAND/OR OTHER PERSONS EMPLOYED IN WHATEVER CAPACITY IN THE PERFORMANCE OF OPERA, BALLET OR MUSIC (OR THE SPOUSE, WIDOW, WIDOWER,PARTNER, CHILD, PARENT OR DEPENDANT OF ANY SUCH ARTISTS OR PERSONS);(III)MAKING GRANTS TO ANY CHARITY OR ORGANISATION INVOLVED WITH EDUCATION IN THE FIELDS OF OPERA, BALLET OR MUSIC; OR(IV)DOING ALL SUCH OTHER THINGS TO PROMOTE THE OBJECTS AS THE TRUSTEES MAY IN THEIR ABSOLUTE DISCRETION DECIDE.
Financial health, per its FY2025 accounts
The accounts state that unrestricted general funds decreased to £6,130,919 from £6,324,791 in the prior year, following a net decrease in funds of £193,872. The charity reports adequate resources to continue in operational existence for the foreseeable future, with no material uncertainties identified by the independent auditor.
What the accounts disclose
“It is the policy of the Fund to maintain unrestricted funds in liquid investments sufficient to enable it to meet its charitable commitments and governance costs for the foreseeable future.” — page 7
“During the year a £2,000 donation was made to Chelsea Chamber Choir (2024: £2,000). Mrs Tessa King-Farlow (Trustee) is also a Trustee of the charity.” — page 18
Policies the charity declares
- Bullying and harassment policy and procedures
- Complaints policy and procedures
- Financial reserves policy and procedures
- Internal charity financial controls policy and procedures
- Internal risk management policy and procedures
- Investing charity funds policy and procedures
- Risk management
- Safeguarding policy and procedures
- Serious incident reporting policy and procedures
- Trustee conflicts of interest policy and procedures
- Trustee expenses policy and procedures
From the charity’s annual return (Part A, self-declared)
Self-declared on the annual return for the financial year ending 31/03/2025
- Grant-making is its main activity
Self-declared on the annual return for the financial year ending 31/03/2024
- Grant-making is its main activity
Self-declared on the annual return for the financial year ending 31/03/2023
- Grant-making is its main activity
Structured financials (annual return, FY ending 31/03/2022)
Register events
- Received assets from another charity (20/12/2021)
Trustees
- Oliver Robert Julian Parrchair
- ANDREW CHARLES KAUFMAN
- ELEANOR ELIZABETH SEPANSKI
- Greg Jauncey
- Neil Christopher Dolby
- Nicola Jane Spencer
- Sabina Saima Khan
- Sir Alexander Charles Beard
- TESSA KING-FARLOW
Income and spending
| Financial year end | Income | Spending |
|---|---|---|
| 31/03/2025 | £132k | £516k |
| 31/03/2024 | £155k | £468k |
| 31/03/2023 | £139k | £757k |
| 31/03/2022 | £7.5m | £710k |
Common questions
Is THE ROYAL OPERA HOUSE BENEVOLENT FUND financially healthy?
Per its FY2025 accounts: The accounts state that unrestricted general funds decreased to £6,130,919 from £6,324,791 in the prior year, following a net decrease in funds of £193,872. The charity reports adequate resources to continue in operational existence for the foreseeable future, with no material uncertainties identified by the independent auditor. Its FY2025 accounts were audited by Blue Spire Limited.
Who funds THE ROYAL OPERA HOUSE BENEVOLENT FUND?
Funders whose own accounts filings name THE ROYAL OPERA HOUSE BENEVOLENT FUND as a grant recipient include ACTING FOR OTHERS, THE HEADLEY TRUST.
Known funders
| Funder | Year | Amount | Purpose (as stated by the funder) |
|---|---|---|---|
| ACTING FOR OTHERS | FY2025 | £13k | |
| THE HEADLEY TRUST | FY2022 | £10k | Education Covid-19 Revenue Support grants. |
Funders of similar charities
| Funder | Similar charities funded | Amount to them |
|---|---|---|
| Laidlaw Opera Trust | 2 | £110k |
| THE AUSTIN AND HOPE PILKINGTON TRUST | 2 | £6k |
| THE MASTER CHARITABLE TRUST | 1 | £17.5m |
| THE ROYAL OPERA HOUSE ENDOWMENT FUND 2000 | 1 | £15.0m |
| THE JULIA RAUSING TRUST | 1 | £9.2m |
| THE MOHN WESTLAKE FOUNDATION | 1 | £5.8m |
| GARFIELD WESTON FOUNDATION | 1 | £5.0m |
| THE LINBURY TRUST | 1 | £2.3m |
Charities like this
- ROYAL OPERA HOUSE COVENT GARDEN FOUNDATION
- THE ROYAL PHILHARMONIC ORCHESTRA SICKNESS AND BENEVOLENT FUND
- BRIDGWATER OPERATIC SOCIETY
- BIRMINGHAM OPERA COMPANY
- BATH OPERA
- THE ROYAL OPERA HOUSE ENDOWMENT FUND 2000
Side by side with its peers
| Charity | Income | Top pay band | Staff >£60k | Reserves vs policy | Fundraising cost | Going concern |
|---|---|---|---|---|---|---|
| THE ROYAL OPERA HOUSE BENEVOLENT FUND | £132k | — | 0 | unclear | — | no doubt |
| ROYAL OPERA HOUSE COVENT GARDEN FOUNDATION | £182.1m | — | — | unclear | — | no doubt |
| THE ROYAL PHILHARMONIC ORCHESTRA SICKNESS AND BENEVOLENT FUND | £26k | — | 0 | unclear | — | no doubt |
| BRIDGWATER OPERATIC SOCIETY | £91k | — | 0 | unclear | — | no doubt |
| BIRMINGHAM OPERA COMPANY | £824k | £65,000 - £70,000 | 1 | above | — | no doubt |
| BATH OPERA | £42k | — | 0 | unclear | — | no doubt |